Cesare Pugni, Whitefeather Productions, Tatyana Shargorodsky's 'The Pharaoh’s Daughter, Act III: Le Rhin (Battement tendu with demi-plié 3/4 64cts)' came out on January 15, 2021. With The Pharaoh’s Daughter, Act III: Le Rhin (Battement tendu with demi-plié 3/4 64cts) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cesare Pugni, Whitefeather Productions, Tatyana Shargorodsky's "Hidden Treasures for Ballet Class, Vol. 1: The Pharaoh's Daughter" album is number 2 out of 32. The Pharaoh’s Daughter, Act III: Le Rhin (Battement tendu with demi-plié 3/4 64cts) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Pharaoh’s Daughter, Act III: Le Rhin (Battement tendu with demi-plié 3/4 64cts) by Cesare Pugni, Whitefeather Productions, Tatyana Shargorodsky to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Op. 66, Aurora's Wedding: Act III, No. 25. Pas de deux (Female Variation, Faster Version) | Evergreen Symphony Orchestra, Kevin Galiè | E Major | 0 | 12B | 123 BPM | ||
Le Corsaire: Pas d Escalve - Gulnare variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E Major | 0 | 12B | 80 BPM | ||
La Esmeralda/Esmeralda Tambourine Variation | Kim Ji Hyun | F Major | 1 | 7B | 67 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act III: Nocturne | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | E Major | 0 | 12B | 59 BPM | ||
Le Pardon | RuSeasons.TV, Cesare Pugni | B♭ Major | 1 | 6B | 130 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM | ||
Expectation | Herold Kittler, Nikolai Sergeyev, Отдельный показательный оркестр Министерства обороны СССР | B♭ Minor | 2 | 3A | 104 BPM | ||
Montagues & Capulets | Richard Clayderman | A Minor | 3 | 8A | 104 BPM | ||
Symphony No. 40 in G Minor, K. 550, Extract | Wolfgang Amadeus Mozart, Olga Kharitonova | G Minor | 1 | 6A | 103 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM |
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