"Chain 2: II. A battuta" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little was released on March 1, 2013. With this song being about 5 minutes long, at 4:55, "Chain 2: II. A battuta" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little, Michael Collins's "Lutosławski: Symphony No. 1, Partita, Chain 2 & Preludia Taneczne" album is number 11 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Chain 2: II. A battuta is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chain 2: II. A battuta by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto (Tout un monde lointain) (2002 Digital Remaster): IV. Miroirs (Lent et extatique) | Henri Dutilleux, Mstislav Rostropovich, Orchestre de Paris, Serge Baudo, Witold Lutosławski | E Minor | 2 | 9A | 122 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation VII. Der Ritt durch die Luft | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Minor | 3 | 7A | 86 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM | ||
Der Schwanendreher - Concerto For Viola & Small Orchestra: 1. "Zwischen Berg und tiefem Tal" | Paul Hindemith, Daniel Benyamini, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 97 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss | B Minor | 2 | 10A | 124 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Debussy: Nocturnes, CD 98, L. 91: No. 2, Fêtes | Claude Debussy, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 71 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Romeo and Juliet, Ballet Suite, Op. 64a, No. 2: III. Friar Laurence | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | C Major | 0 | 8B | 104 BPM |
Section: 0.618812084197998
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