"Being Appropriate" by Ian Watson was released on May 1, 2013. With Being Appropriate being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "The Tao of Homeopathy". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Being Appropriate is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Being Appropriate by Ian Watson having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marcello / Arr. Balsom: Oboe Concerto in C Minor: II. Adagio | Alessandro Marcello, Alison Balsom, Scottish Ensemble | C Minor | 1 | 5A | 62 BPM | ||
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Oboe Concerto in D minor: 2. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
Suite Bergamasque, L. 75: III. "Clair de lune" | Claude Debussy, Kathryn Stott | D♭ Major | 0 | 3B | 66 BPM | ||
Stradella: Il Barcheggio: Sinfonia avanti il Barcheggio, 1. Spiritosa e staccata | Alessandro Stradella, Graham Ashton/Irish Chamber Orchestra/Ian Watson, Ian Watson, Irish Chamber Orchestra | D Major | 3 | 10B | 98 BPM | ||
Romance for Violin and Strings in D Major | Johann Peter Salomon, Daniel Hope, Zurich Chamber Orchestra | D Major | 1 | 10B | 89 BPM | ||
Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto (Excerpt) | Frédéric Chopin, Garrick Ohlsson, Jerzy Maksymiuk, Polish National Radio Symphony Orchestra | B Major | 0 | 1B | 83 BPM | ||
Concerto for Violin & Orchestra, Op.14: 2. Andante | Samuel Barber, Joshua Bell, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 1 | 3A | 133 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | E Major | 0 | 12B | 67 BPM | ||
Nocturne No.2 in E flat, Op.9 No.2 | Frédéric Chopin, Claudio Arrau | B♭ Major | 0 | 6B | 108 BPM |
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