Hans Christian Lumbye, Joseph Glæser, Andreas Frederik Lincke, David Strong, Aalborg Symphony Orchestra, Peter Ernst Lassen's 'Far from Denmark, "Costume ball aboard Ship": Act II: Waltz and Contredanse' came out on January 1, 2005. The duration of Far from Denmark, "Costume ball aboard Ship": Act II: Waltz and Contredanse is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Far from Denmark, "Costume ball aboard Ship": Act II: Waltz and Contredanse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of Far from Denmark, "Costume ball aboard Ship": Act II: Waltz and Contredanse is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Far from Denmark, "Costume ball aboard Ship": Act II: Waltz and Contredanse by Hans Christian Lumbye, Joseph Glæser, Andreas Frederik Lincke, David Strong, Aalborg Symphony Orchestra, Peter Ernst Lassen is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Konzertwalzer, aus der Oper 'Faust' | Charles Gounod, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 111 BPM | ||
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Gaîté Parisienne: Cancan | Jacques Offenbach, Leonard Bernstein, New York Philharmonic | D Major | 7 | 10B | 87 BPM | ||
Trumpet Tune in C Major, Z. 697 | Henry Purcell, The Prague Brass Soloists | F Major | 1 | 7B | 112 BPM | ||
Der Rosenkavalier: Walzerfolge No. 2, TrV 227a | Seattle Symphony Orchestra | D Minor | 0 | 7A | 98 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Laughing Cavalier | Haydn Wood | E Minor | 3 | 9A | 149 BPM |
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