- BPM
- 86
- Key
- F♯ Minor
- Camelot
- 11A
Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte - Andrés Segovia Information
- Acousticness
- 95%
- Danceability
- 39%
- Energy
- 4%
- Instrumentalness
- 87%
- Liveness
- 13%
- Loudness
- 52%
- Speechiness
- 3%
- Valence
- 35%
- Popularity
- 2%
- Loudness
- -28.515 dB
Summary
Andrés Segovia's 'Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte' came out on 1999. The duration of Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Legendary Andrés Segovia". In this album, this song's track order is #20. Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte BPM
With Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte by Andrés Segovia having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
Suite in A 'in the style of Weiss' (1988 Digital Remaster): Gavotte Key
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Guitar Concerto in E Major: II. Andante cantabile (Live) | Luigi Boccherini, Andrés Segovia, Symphony Of The Air, Enrique Jorda | D Major | 3 | 10B | 118 BPM | |
 | Virgilio | Antonio Lauro, Victor Villadangos | A Minor | 1 | 8A | 175 BPM | |
 | 36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM | |
 | Koyunbaba, Op. 19: 4. Presto | Carlo Domeniconi, Miloš Karadaglić | A Major | 3 | 11B | 107 BPM | |
 | Prelude in C minor for lute BWV999 (arr. Segovia) | Andrés Segovia | B♭ Major | 1 | 6B | 102 BPM | |
 | 3 Pièces: No. 1, Canzonetta | Alexandre Tansman, Andrés Segovia | A Minor | 0 | 8A | 101 BPM | |
 | La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM | |
 | Rafaga, Op. 53 | Joaquín Turina, Franz Halász | D Minor | 2 | 7A | 55 BPM | |
 | Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" (arr. J. Dearman) | George Frideric Handel, John Dearman, Los Angeles Guitar Quartet | E Major | 2 | 12B | 107 BPM | |
 | 2 Arabesques (arr. for guitar and orchestra): Arabesque No. 1 | Claude Debussy, Gerald Garcia, CSSR State Philharmonic Orchestra, Kosice, Peter Breiner | C Major | 1 | 8B | 91 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6937534809112549
End: 0.6988077163696289