"Psalm 131 "Domine, non est"" by Charles Harford Lloyd, Eton College Chapel Choir, Ralph Allwood, Tom Williamson was released on 1997. The duration of Psalm 131 "Domine, non est" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Psalm 131 "Domine, non est"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 22 in Choral Evensong from Eton College by Eton College Chapel Choir, Ralph Allwood, Tom Williamson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Psalm 131 "Domine, non est"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Psalm 131 "Domine, non est" by Charles Harford Lloyd, Eton College Chapel Choir, Ralph Allwood, Tom Williamson is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | A Major | 2 | 11B | 59 BPM | ||
Psalm 23, "The Lord is my Shepherd": Psalm XXIII | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 0 | 12B | 100 BPM | ||
Wem In Leidenstagen "Glory Be to Jesus" | Friedrich Filitz, York Minster Choir, John Scott Whiteley, Philip Moore | G Major | 1 | 9B | 105 BPM | ||
Nunc dimittis in A Major | Charles Harford Lloyd, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM | ||
Sombrero Sam | Charles Harford Lloyd, Orlando Le Fleming, Gareth Williams, Tristan Mailliot | C Major | 4 | 8B | 152 BPM | ||
Suite in the Old Style | Charles Harford Lloyd, Sarah Thurlow, Nigel Clayton | G Minor | 0 | 6A | 69 BPM | ||
O Shepherd of the Sheep SHZ 269 | Laestadian Lutheran Church, Viena Kontkanen, Liisa Keranen | A Major | 3 | 11B | 83 BPM | ||
Purge Me From My Sin | The Concordia Choir | F♯ Minor | 1 | 11A | 73 BPM | ||
Concerto no. 34: "Let God Arise" | Archangel Voices | F Major | 1 | 7B | 84 BPM | ||
Lasst uns wahrhaftig sein in der Liebe | Kammerchor Wilhelmshaven | B♭ Major | 0 | 6B | 82 BPM |
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