"Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major" by Franz Schubert, Aldo Ciccolini was released on January 1, 1972. Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Schubert: Impromptus". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major by Franz Schubert, Aldo Ciccolini having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 2 in E-Flat Major | Franz Schubert, Murray Perahia | F Minor | 1 | 4A | 126 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Alfred Brendel | C Major | 3 | 8B | 74 BPM | ||
Habanera | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | A Major | 0 | 11B | 80 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Adagio for Organ & Strings G Minor | Tomaso Albinoni, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | C Major | 4 | 8B | 115 BPM |
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