"Civitas sancti tui: Civitas sancti tui" by William Byrd, Westminster Cathedral Choir, Martin Baker was released on 2020. With this song being about 5 minutes long, at 5:19, "Civitas sancti tui: Civitas sancti tui" by William Byrd, Westminster Cathedral Choir, Martin Baker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vexilla Regis: A Sequence of Music from Palm Sunday to Holy Saturday by Westminster Cathedral Choir, Martin Baker, Peter Stevens. The song's track number on the album is #7 out of 21 tracks. Civitas sancti tui: Civitas sancti tui is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Civitas sancti tui: Civitas sancti tui by William Byrd, Westminster Cathedral Choir, Martin Baker has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Civitas sancti tui: Civitas sancti tui being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
4 Shakespeare Songs: No. 1. Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 174 BPM | ||
All-Night Vigil, Op. 37: V. Lord, Now Lettest Thou Thy Servant Depart in Peace | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Frank Fleschner | F♯ Major | 1 | 2B | 78 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Mass for Five Voices - 4a. Sanctus | William Byrd, The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 81 BPM | ||
Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae, 1591): II. Ut eruas nos a malis | William Byrd, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 146 BPM |
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