The Carnival of the Animals, R.125: XIII. The Swan - Camille Saint-Saëns, Jadranka Gasparovic, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung Information

Acousticness: 99%
Danceability: 7%
Energy: 7%
Instrumentalness: 89%
Liveness: 8%
Loudness: 59%
Speechiness: 4%
Valence: 8%
Popularity: 22%
Loudness: -24.536 dB

Summary

"The Carnival of the Animals, R.125: XIII. The Swan" by Camille Saint-Saëns, Jadranka Gasparovic, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung was released on December 6, 2019. The duration of The Carnival of the Animals, R.125: XIII. The Swan is about 3 minutes long, at 3:00. Based on our data, "The Carnival of the Animals, R.125: XIII. The Swan" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Saint-Saëns: The Carnival of the Animals, R.125 & Other Works". In this album, this song's track order is #13. The popularity of The Carnival of the Animals, R.125: XIII. The Swan is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Carnival of the Animals, R.125: XIII. The Swan BPM

With The Carnival of the Animals, R.125: XIII. The Swan by Camille Saint-Saëns, Jadranka Gasparovic, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung having a BPM of 187 with a half-time of 94 BPM and a double-time of 374 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

The Carnival of the Animals, R.125: XIII. The Swan Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace	Felix Mendelssohn, Leonard Bernstein, New York Philharmonic	D Major	1	10B	65 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
Introduction and Rondo capriccioso, Op. 28	New York Philharmonic, Leonard Bernstein	A Minor	2	8A	91 BPM
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59	Lang Lang	A Minor	0	8A	133 BPM
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song	Pyotr Ilyich Tchaikovsky, Mikhail Pletnev	D Minor	0	7A	135 BPM
L'Arlésienne Suite No. 2: Menuet	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	E♭ Major	0	5B	128 BPM
Double Bass Concerto, Op. 3: II. Andante	Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs	B Minor	1	10A	131 BPM
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102)	Robert Schumann, Yo-Yo Ma, Kathryn Stott	F Major	1	7B	114 BPM
Elgar: Salut d'amour, Op. 12	Edward Elgar, Tasmin Little, John Lenehan	E Major	1	12B	89 BPM
VI. June. Barcarolle	Pyotr Ilyich Tchaikovsky, Mikhail Pletnev	G Minor	0	6A	69 BPM

ISRC: QMEU31905467
Label: L-M Records/RCA Records

Section: 0.619286298751831

End: 0.6249170303344727