"Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - Thema (Andante)" by Royal Philharmonic Orchestra, Robert Bachmann had its release date on July 19, 2002. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Royal Philharmonic Orchestra, Robert Bachmann's "Johannes Brahms: Orchesterwerke 1 - 4" album is number 5 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - Thema (Andante) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - Thema (Andante) by Royal Philharmonic Orchestra, Robert Bachmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM | ||
Piano Parchment - 60 Second Edit (A) | Johnny Pearson | D Major | 3 | 10B | 120 BPM | ||
Enchanted Suite - From "Enchanted"/Score | Alan Menken | G Major | 4 | 9B | 110 BPM | ||
The Show Must Go On | Royal Philharmonic Orchestra, Matthew Freeman | B Minor | 2 | 10A | 168 BPM | ||
Let It Go - From "Frozen" | Royal Philharmonic Orchestra, Christian Li | A♭ Major | 2 | 4B | 137 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
I Dreamed a Dream / Lovely Ladies / Who Am I? | Bournemouth Symphony Orchestra, Seann Alderking | B♭ Major | 1 | 6B | 143 BPM | ||
Tree of Life Suite: Wild Side | Roberto Cacciapaglia, Royal Philharmonic Orchestra | D Major | 4 | 10B | 76 BPM |