Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin's 'Clérambault: Exultate Deo, à 2 parties' came out on 1994. With this song being about 5 minutes long, at 4:39, "Clérambault: Exultate Deo, à 2 parties" by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 12 in Clér\mbault - Chants et Motets pour la Royale Maison de Saint-Louis by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Emmanuel Mandrin. Clérambault: Exultate Deo, à 2 parties is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clérambault: Exultate Deo, à 2 parties by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Le Triomphe d'Iris (The Triumph of Iris): Entree III Scene 1: Prelude | Louis-Nicolas Clérambault, Le Concert Spirituel, Herve Niquet | G Major | 2 | 9B | 145 BPM | ||
Le Triomphe d'Iris (The Triumph of Iris): Entree III Scene 4: Premier passepied pour les bergers et les bergeres | Louis-Nicolas Clérambault, Le Concert Spirituel, Herve Niquet | G Major | 2 | 9B | 145 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | E♭ Minor | 0 | 2A | 44 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 1, Violin Sonata in A Major, B.A14 / GT 2.A14: I. Grave | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM |
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