Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La made "Sonata for 2 Violins, Op. 5, No. 12: II. Allegro" available on January 1, 2002. With Sonata for 2 Violins, Op. 5, No. 12: II. Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Giovanni Battista Mazzaferrata, Stefano Montanari's "Mazzaferrata: Primo Libro Delle Sonate A 2 Violini (Il)" album is number 46 out of 49. On top of that, Italy appears to be the country where this track was created. Sonata for 2 Violins, Op. 5, No. 12: II. Allegro is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonata for 2 Violins, Op. 5, No. 12: II. Allegro by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Sonata for 2 Violins, Op. 5, No. 11: II. Presto | Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La | C Major | 2 | 8B | 111 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Suite in A Major, BWV 1025: II. Courante | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Sonata in D Major for cello and basso: I. Andante | Franz Benda, Octavie Dostaler-Lalonde, Artem Belogurov, Victor Garcia Garcia | D♭ Major | 0 | 3B | 96 BPM | ||
Madrigals, Book 1: De la donna ch'adora | Giovanni Battista Mazzaferrata, Cappella Artemisia, Candace Smith | C Minor | 1 | 5A | 84 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM |
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