"Kamarinskaya" by The Ossipov Balalaika Orchestra, Nikolai Kalinin was released on January 1, 1996. The duration of Kamarinskaya is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Kamarinskaya's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Ossipov Balalaika Orchestra, Vol II: Russian Folk Music". In this album, this song's track order is #9. Based on our statistics, Kamarinskaya's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kamarinskaya by The Ossipov Balalaika Orchestra, Nikolai Kalinin having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Susan, the Doggie and Me | Percy Whitlock, RTE Concert Orchestra, Gavin Sutherland | E Major | 0 | 12B | 53 BPM | ||
España, Op.236 | Émile Waldteufel, Vienna Volksoper Orchestra, Franz Bauer-Theussl | F Major | 2 | 7B | 128 BPM | ||
Roman Festivals, P. 157: IV. The Epiphany | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | B Major | 2 | 1B | 124 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
La vie parisienne, Cancan | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 6 | 9B | 92 BPM | ||
John Hector McFarlane and His Mother (The Norwood Builder) | Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black | D Minor | 2 | 7A | 108 BPM | ||
Starlight Roof Waltz | George Melachrino, RTE Concert Orchestra, Ernest Tomlinson | E Minor | 1 | 9A | 99 BPM | ||
Le merle blanc, Op. 161 | Eugène Damaré, Ensemble Instrumental La Follia, Jean-Louis Beaumadier | D Major | 3 | 10B | 119 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | G Major | 4 | 9B | 76 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM |
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