"Eight Pieces for Clarinet, Viola and Piano, Op. 83: I. Andante" by Max Bruch, Trio Apollon was released on November 13, 2015. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Bruch, Trio Apollon's "Max Bruch: Chamber Music" album is number 1 out of 11. On top of that, Germany appears to be the country where this track was created. Eight Pieces for Clarinet, Viola and Piano, Op. 83: I. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eight Pieces for Clarinet, Viola and Piano, Op. 83: I. Andante by Max Bruch, Trio Apollon to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in A Minor, Op. 75: I. Andante con moto | Max Bruch, Antje Weithaas, NDR Radiophilharmonie, Hermann Bäumer | D Minor | 0 | 7A | 84 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Symphony No. 3 in E Major, Op. 51: V. Finale: Allegro ma non troppo | Max Bruch, Hungarian State Symphony Orchestra, Manfred Honeck | C Major | 1 | 8B | 138 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
String Quartet in C Minor, Op. Posth.: II. Adagio | Max Bruch, Diogenes Quartet | A♭ Major | 1 | 4B | 88 BPM |
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