"Hamlet Suite, Op. 116a: Story of Horatio and the Ghost" by Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky was released on May 8, 2004. The duration of Hamlet Suite, Op. 116a: Story of Horatio and the Ghost is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Hamlet Suite, Op. 116a: Story of Horatio and the Ghost's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Shostakovich: Hamlet, Op. 116". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Hamlet Suite, Op. 116a: Story of Horatio and the Ghost is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hamlet Suite, Op. 116a: Story of Horatio and the Ghost by Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Gothic Suite Op 25: Introduction - choral | Léon Boëllmann, William McVicker | E♭ Major | 2 | 5B | 66 BPM | ||
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
String Quartet No. 8 In C Minor, Op. 110 II. Allegro molto (attacca:) | Saint Petersburg Orchestra of the State Hermitage Museum Camerata | E Minor | 2 | 9A | 142 BPM | ||
Movement I: Heroes | Philip Glass, Dennis Russell Davies, Sinfonieorchester Basel | F Major | 1 | 7B | 120 BPM | ||
Metropolis: III. Furioso: Die Versohnung | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 2 | 4B | 96 BPM | ||
Crisantemi | Giacomo Puccini, Brodsky Quartet | F♯ Minor | 0 | 11A | 70 BPM | ||
Peer Gynt, Op. 23, Act III: Prelude (Forspill til Ases dod) [Prelude to the Death of Ase] | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | B Minor | 0 | 10A | 85 BPM | ||
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM |
Section: 0.6017072200775146
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