Turkish Bumble-Bee Rondo - Arr. for Flute Quartet
Jan Van Landeghem, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine
Armonia di Flauti: Bach, Vivaldi (Arr. for Flute Quartet)
2:18 January 1, 1998
BPM
148
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Turkish Bumble-Bee Rondo - Arr. for Flute Quartet - Jan Van Landeghem, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine Information

Acousticness
94%
Danceability
42%
Energy
23%
Instrumentalness
77%
Liveness
6%
Loudness
70%
Speechiness
4%
Valence
36%
Popularity
Loudness
-18.094 dB

Summary

Jan Van Landeghem, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine's 'Turkish Bumble-Bee Rondo - Arr. for Flute Quartet' came out on January 1, 1998. The duration of Turkish Bumble-Bee Rondo - Arr. for Flute Quartet is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Turkish Bumble-Bee Rondo - Arr. for Flute Quartet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 20 in Armonia di Flauti: Bach, Vivaldi (Arr. for Flute Quartet) by Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Turkish Bumble-Bee Rondo - Arr. for Flute Quartet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Turkish Bumble-Bee Rondo - Arr. for Flute Quartet BPM

The tempo marking of Turkish Bumble-Bee Rondo - Arr. for Flute Quartet by Jan Van Landeghem, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Turkish Bumble-Bee Rondo - Arr. for Flute Quartet Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 1 in G Major, Wq. 182: I. Allegro di molto by Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander JaniczekSymphony No. 1 in G Major, Wq. 182: I. Allegro di moltoCarl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander JaniczekF♯ Major12B127 BPM
Uns ist ein Kind geboren: I. Sonata by Johann Kuhnau, Camerata Lipsiensis, Gregor MeyerUns ist ein Kind geboren: I. SonataJohann Kuhnau, Camerata Lipsiensis, Gregor MeyerA♭ Minor11A103 BPM
Fantasies and Preludes, Giedde I.45: Vivace alla Francese by Johann Joachim Quantz, Dorothee OberlingerFantasies and Preludes, Giedde I.45: Vivace alla FranceseJohann Joachim Quantz, Dorothee OberlingerA Major011B79 BPM
Faust: Act II: Adagio by Louis Spohr, Boje Skovhus, Franz Hawlata, Robert Swensen, Hillevi Martinpelto, Alfred Reiter, Rodrigo Orrego, Ulrich Wand, Brigitte Wohlfarth, Christoph Spath, Martina Borst, Stuttgart Sudfunkchor, South West German Radio Kaiserslautern Orchestra, Klaus ArpFaust: Act II: AdagioLouis Spohr, Boje Skovhus, Franz Hawlata, Robert Swensen, Hillevi Martinpelto, Alfred Reiter, Rodrigo Orrego, Ulrich Wand, Brigitte Wohlfarth, Christoph Spath, Martina Borst, Stuttgart Sudfunkchor, South West German Radio Kaiserslautern Orchestra, Klaus ArpA♭ Major34B99 BPM
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean RondeauSonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. AriaJean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean RondeauA♭ Major14B105 BPM
Missa Popularis: II. Gloria by Mårten Jansson, Chantage, Classical Pop-Ups Strings, James DaveyMissa Popularis: II. GloriaMårten Jansson, Chantage, Classical Pop-Ups Strings, James DaveyF Major27B129 BPM
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesTe deum, LWV 55: XIV. Miserere nostri Domine, miserere nostriJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV by Jan Pieterszoon Sweelinck, Gustav AuzingerOns is gheboren een kindekijn, SwWV 315: IV. Variation IVJan Pieterszoon Sweelinck, Gustav AuzingerC Major08B92 BPM
Sonata in F, TWV 41 F3: I. Andante by Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly BrechtSonata in F, TWV 41 F3: I. AndanteGeorg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly BrechtF Minor04A125 BPM
Te Deum: IX. Per singulos dies by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient MusicTe Deum: IX. Per singulos diesGiovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient MusicB Minor210A71 BPM
ISRC
FR10S1772463
Label
L-M Records/RCA Records

Section: 0.9885239601135254

End: 0.9919710159301758