"Pièces à trois violes de Monsieur Forcroy: IV. Musette" by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi was released on September 3, 2014. The duration of Pièces à trois violes de Monsieur Forcroy: IV. Musette is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Pièces à trois violes de Monsieur Forcroy: IV. Musette's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 18 in Forqueray le Diable by Jean-Baptiste Forqueray, Vittorio Ghielmi. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Pièces à trois violes de Monsieur Forcroy: IV. Musette is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pièces à trois violes de Monsieur Forcroy: IV. Musette by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Partie a Viola da Gamba solo com Cembalo D Minor: Sarabande | Ernst Stolz | D♭ Minor | 0 | 12A | 82 BPM | ||
Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | E♭ Major | 4 | 5B | 129 BPM | ||
Violin Sonata No. 1 in D Minor: VII. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | A♭ Minor | 3 | 1A | 95 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM | ||
Scarlatti, D: Keyboard Sonata in A Minor, Kk. 54 | Domenico Scarlatti, Scott Ross | E Major | 5 | 12B | 104 BPM | ||
Suite in D Minor, HWV 449: II. Allemande | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Trio Sonata in G Major, RV 820: II. Adagio | Antonio Vivaldi, Hanna Salzenstein, Justin Taylor, Thibaut Roussel, Albéric Boullenois, Théotime Langlois de Swarte | D♭ Minor | 6 | 12A | 157 BPM |
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