"Miscellaneous Madrigals published in anthologies (1593-1634): Si dolce e'l tormento [so sweet Is the torment]" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on June 26, 2007. With this song being about 5 minutes long, at 5:28, "Miscellaneous Madrigals published in anthologies (1593-1634): Si dolce e'l tormento [so sweet Is the torment]" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ's "Monteverdi: Madrigals, Book 6" album is number 13 out of 35. On top of that, Hong Kong appears to be the country where this track was created. Miscellaneous Madrigals published in anthologies (1593-1634): Si dolce e'l tormento [so sweet Is the torment] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miscellaneous Madrigals published in anthologies (1593-1634): Si dolce e'l tormento [so sweet Is the torment] by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 173 BPM | ||
Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM | ||
Gedenke, Herr, wie es uns gehet | Andreas Scharmann, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 84 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Burial Service: Thou knowest, Lord, the secrets of our hearts, Z. 58C | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | ||
Il secondo libro de madrigali a cinque voci, SV 48: No. 9, Quell’ombra esser vorrei | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rosa Dominguez, Giuseppe Maletto, Sandro Naglia, Marco Radaelli, Daniele Carnovich | F♯ Major | 1 | 2B | 120 BPM | ||
All'imperio d'Amore: 1. Toccata "La Renuccini" | Girolamo Fantini, Ensemble Pygmalion, Raphael Pichon | D Major | 4 | 10B | 137 BPM |
Section: 0.4829895496368408
End: 0.48747825622558594