Jules Massenet, Georges Thill, Ninon Vallin, Paris National Opera Chorus, Paris National Opera Orchestra, Elie Cohen's 'Werther: Act III: Tout mon ame est la... Pourquoi me reveiller' came out on January 12, 2001. The duration of Werther: Act III: Tout mon ame est la... Pourquoi me reveiller is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Werther: Act III: Tout mon ame est la... Pourquoi me reveiller's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet's "Massenet: Werther (Thill, Vallin) (1931)" album is number 9 out of 44. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Werther: Act III: Tout mon ame est la... Pourquoi me reveiller is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Werther: Act III: Tout mon ame est la... Pourquoi me reveiller by Jules Massenet, Georges Thill, Ninon Vallin, Paris National Opera Chorus, Paris National Opera Orchestra, Elie Cohen to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM |
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