- BPM
- 65
- Key
- A♭ Minor
- Camelot
- 1A
Festival in Seville from Iberia for Piano, Book 1 No. 3 (Arr. Leopold Stokowski) - Isaac Albéniz, Matthias Bamert, BBC Philharmonic Information
- Acousticness
- 82%
- Danceability
- 14%
- Energy
- 9%
- Instrumentalness
- 89%
- Liveness
- 13%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 6%
- Loudness
- -22.325 dB
Summary
"Festival in Seville from Iberia for Piano, Book 1 No. 3 (Arr. Leopold Stokowski)" by Isaac Albéniz, Matthias Bamert, BBC Philharmonic was released on March 1, 1995. Since Festival in Seville from Iberia for Piano, Book 1 No. 3 (Arr. Leopold Stokowski) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Stokowski Encores". In this album, this song's track order is #14. Festival in Seville from Iberia for Piano, Book 1 No. 3 (Arr. Leopold Stokowski) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Festival in Seville from Iberia for Piano, Book 1 No. 3 (Arr. Leopold Stokowski) BPM
With Festival in Seville from Iberia for Piano, Book 1 No. 3 (Arr. Leopold Stokowski) by Isaac Albéniz, Matthias Bamert, BBC Philharmonic having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Festival in Seville from Iberia for Piano, Book 1 No. 3 (Arr. Leopold Stokowski) Key
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | |
 | Concerto for 2 Oboes in A Minor, RV 536: III. Allegro | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | |
 | Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | |
 | Prelude No 1 | Heitor Villa-Lobos, Marco Antonio Anguiano | E Minor | 1 | 9A | 77 BPM | |
 | Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | |
 | Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | |
 | Un dia de noviembre | Leo Brouwer, Miloš Karadaglić | A Minor | 0 | 8A | 87 BPM | |
 | Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6277990341186523
End: 0.6324732303619385