Nicola Porpora, Joseph Crouch, Harry Bicket, The English Concert made "Cello Concerto in G Major: I. Amoroso" available on October 5, 2018. With this song being about 5 minutes long, at 4:57, "Cello Concerto in G Major: I. Amoroso" by Nicola Porpora, Joseph Crouch, Harry Bicket, The English Concert is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Cello Concerto in G Major: I. Amoroso's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Cello Concerto in G Major: I. Amoroso by Nicola Porpora, Joseph Crouch, Harry Bicket, The English Concert having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Cavalli: La Calisto, Act 2: "Erme e solinghe cime ... Lucidissima face" (Endimione) | Francesco Cavalli, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 100 BPM | ||
Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
Nisi Dominus, RV 608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Franco Fagioli, I Barocchisti, Diego Fasolis | F♯ Minor | 5 | 11A | 100 BPM | ||
Orlando, L'incontro: L'incontro, Scene 4: Pur ti ragggiungerò, barbaro imbelle | Nicola Porpora, Robert Expert, Olga Pitarch, Real Compañía Ópera de Cámara, Juan Bautista Otero | F♯ Major | 1 | 2B | 93 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
I trionfi del fato: E l'honor stella tiranna | Agostino Steffani, Cecilia Bartoli, I Barrochisti, Diego Fasolis | F♯ Minor | 5 | 11A | 130 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Porpora: Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 137 BPM |
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