"Gnossienne No. 1 (Arr. for Guitar)" by Erik Satie, Sebastien Llinares was released on April 7, 2017. The duration of Gnossienne No. 1 (Arr. for Guitar) is about 3 minutes long, at 3:21. Based on our data, "Gnossienne No. 1 (Arr. for Guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Érik Satie: Gnossiennes, Gymnopédies, Parade & Other Pieces, so we believe that "Gnossienne No. 1 (Arr. for Guitar)" is a single. In terms of popularity, Gnossienne No. 1 (Arr. for Guitar) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gnossienne No. 1 (Arr. for Guitar) by Erik Satie, Sebastien Llinares is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
Concerto d'aranjuez: Adagio | Joaquín Rodrigo, Orchestre symphonique Carlos Chavez, Fernando Lozano, Juan Carlos Laguna | F Major | 3 | 7B | 104 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Bayaty | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | A Minor | 0 | 8A | 73 BPM | ||
Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto | Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien | G Minor | 1 | 6A | 65 BPM | ||
Orfeo et Eurydice: Mélodie for Piano Solo | Christoph Willibald Gluck, Giovanni Sgambati, James Rhodes | D Minor | 0 | 7A | 70 BPM | ||
Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Nemanja Radulović, Les Trilles Du Diable, Laure Favre-Kahn | G Minor | 2 | 6A | 77 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM |
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