"Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin" by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2001. Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "R. Strauss: Zarathustra; Till; Don Juan; Heldenleben; Tod & Verklärung". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 3 | 10B | 78 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Sarah Chang, Mariss Jansons, Berliner Philharmoniker | D Major | 3 | 10B | 96 BPM | ||
Symphony No.5 In E Minor, Op.64, TH.29: 3. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | E Minor | 3 | 9A | 95 BPM | ||
Symphony No. 2 in E Minor, Op. 27: III. Adagio | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 138 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 139 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 13, Cum mortuis in lingua mortua | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 75 BPM | ||
Carmen: Overture | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Minor | 4 | 7A | 126 BPM | ||
Othello Overture, Op. 93, B. 174 - Live | Antonín Dvořák, Berliner Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 87 BPM | ||
Symphony No. 1 In B Flat, Op. 38 - "Spring": 3. Scherzo (Molto vivace) | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM |
Section: 0.6408424377441406
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