"Mozart: Vesperae de Dominica, K. 321: V. Laudate Dominum (Soprano)" by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1987. Mozart: Vesperae de Dominica, K. 321: V. Laudate Dominum (Soprano) is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Enrique Bátiz, Sir Neville Marriner, Academy of St. Martin in the Fields's "Mozart Sacred Arias" album is number 2 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Mozart: Vesperae de Dominica, K. 321: V. Laudate Dominum (Soprano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Vesperae de Dominica, K. 321: V. Laudate Dominum (Soprano) by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 4 | 5A | 110 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Vivaldi: Flute Concerto in D Major, RV 429: II. Largo | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 0 | 10B | 131 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": I. Allegro | Wolfgang Amadeus Mozart, Karin Kei Nagano, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM |
Section: 0.788224458694458
End: 0.7921874523162842