"Mass No. 1 in D Minor, WAB 26: VI. Agnus Dei" by Anton Bruckner, Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch, Elmar Schloter, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus was released on January 1, 1995. Since Mass No. 1 in D Minor, WAB 26: VI. Agnus Dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 19 in Bruckner: The Masses by Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass No. 1 in D Minor, WAB 26: VI. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 1 in D Minor, WAB 26: VI. Agnus Dei by Anton Bruckner, Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch, Elmar Schloter, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 9 in E Minor Op. 95 "from the New World": I. Adagio - Allegro molto | Antonín Dvořák, Ferenc Fricsay, Berliner Philharmoniker | A Minor | 2 | 8A | 116 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Première rhapsodie, L. 116: Rêveusement lent | Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM | ||
Hary Janos Suite: Háry János Suite: IV. The Battle and Defeat of Napoleon | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 83 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM |
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