"The Horatians and the Curiatians: No. 29, The Battle of the Sword Fighters" by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin was released on August 8, 2013. With The Horatians and the Curiatians: No. 29, The Battle of the Sword Fighters being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 29 out of 31. The Horatians and the Curiatians: No. 29, The Battle of the Sword Fighters is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Horatians and the Curiatians: No. 29, The Battle of the Sword Fighters by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Metropolis: III. Furioso: Die Versohnung | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 2 | 4B | 96 BPM | ||
Pskovityanka (The Maid of Pskov): Entr'acte to Act IV: Pyechorsky Monastery | Nikolai Rimsky-Korsakov, Berlin Radio Symphony Orchestra, Michail Jurowski | B♭ Minor | 2 | 3A | 153 BPM | ||
Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Clowns and Kids Suite (arr. F. Strobel): II. Intermezzo | Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra | C Minor | 2 | 5A | 112 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
Missa solemnis in C Minor, K. 139, "Waisenhausmesse" (Orphanage): Kyrie | Wolfgang Amadeus Mozart, Celina Lindsley, Gabriele Schreckenbach, Werner Hollweg, Walton Grönroos, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Marcus Creed | D Major | 0 | 10B | 75 BPM |
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