Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay's 'Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto' had a release date set for January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 9 in Bartók: Piano Concertos Nos.1-3 by Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto by Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Violin Sonata in G Minor, L. 148: III. Finale - Très animé | Claude Debussy, Bertrand Chamayou | G Major | 1 | 9B | 89 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
Sinfonietta: I. Allegretto-Allegro-Maestoso | レオシュ・ヤナーチェク, Deutsches Symphonie-Orchester Berlin, Eliahu Inbal | C Major | 2 | 8B | 91 BPM | ||
String Quartet No. 2 in D Minor, JB 1:124: I. Allegro | Bedřich Smetana, Pavel Haas Quartet | F Major | 1 | 7B | 78 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": III. Scherzo - Allegro molto | Franz Schubert, Quatuor Arod | D Major | 1 | 10B | 150 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegretto un poco - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 74 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 6 | 3A | 148 BPM | ||
Symphony No.9 In D / 1. Satz: Etwas frischer | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 99 BPM |