Inger Dam-Jensen, Patrik Jablonski made "Strauss: Drei Lieder Der Ophelia (Op. 67 No. 2)" available on January 1, 2011. With Strauss: Drei Lieder Der Ophelia (Op. 67 No. 2) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #55. In terms of popularity, Strauss: Drei Lieder Der Ophelia (Op. 67 No. 2) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Strauss: Drei Lieder Der Ophelia (Op. 67 No. 2) by Inger Dam-Jensen, Patrik Jablonski having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abendlied (Evening Song) | Johann Abraham Peter Schulz, Inger Dam-Jensen, Christopher Hogwood | F Major | 0 | 7B | 86 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 2. Andante | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 93 BPM | ||
Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM | ||
Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM | ||
Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano) | Anonymous, Robert Schumann, Robert Koenig, Si-Qing Lu | F Major | 0 | 7B | 88 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Barcarole: Natten er så stille | Christoph Ernst Friedrich Weyse, Inger Dam-Jensen | B♭ Major | 0 | 6B | 67 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Strauss: Nachtgang (Op. 29 No. 1) | Malcolm Martineau, Inger Dam-Jensen | E♭ Major | 0 | 5B | 86 BPM | ||
Vivaldi: L'estro armonico, Concerto for Two Violins in A Minor, Op. 3 No. 8, RV 522 "Per eco in lontano": I. Allegro | Antonio Vivaldi, Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker | B♭ Major | 1 | 6B | 115 BPM |
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