"Symphony No. 3 in D minor - Part 2: 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'" by Gustav Mahler, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa had its release date on January 1, 1993. This song appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Jessye Norman, The American Boychoir, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa's "Mahler: Symphonies Nos 3 & 6" album is number 3 out of 10. On top of that, Netherlands appears to be the country where this track was created. Symphony No. 3 in D minor - Part 2: 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3 in D minor - Part 2: 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht' by Gustav Mahler, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 3 | 5B | 71 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Symphony No. 7 in E Minor: III. Scherzo: Schattenhaft | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM |