- BPM
- 133
- Key
- C Minor
- Camelot
- 5A
Cantos de España, Op. 232: 2. Asturias - Leyenda - Isaac Albéniz, Simon Ghraichy Information
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 11%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 13%
- Popularity
- 10%
- Loudness
- -22.092 dB
Summary
"Cantos de España, Op. 232: 2. Asturias - Leyenda" by Isaac Albéniz, Simon Ghraichy was released on February 17, 2017. Cantos de España, Op. 232: 2. Asturias - Leyenda is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The track order of this song in Simon Ghraichy's "Heritages" album is number 9 out of 17. Based on our statistics, Cantos de España, Op. 232: 2. Asturias - Leyenda's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cantos de España, Op. 232: 2. Asturias - Leyenda BPM
We consider the tempo marking of Cantos de España, Op. 232: 2. Asturias - Leyenda by Isaac Albéniz, Simon Ghraichy to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Cantos de España, Op. 232: 2. Asturias - Leyenda Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | |
 | Fugue From Violin Sonata No. 1 | Johann Sebastian Bach, Christopher Parkening | A Major | 1 | 11B | 76 BPM | |
 | Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | |
 | Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | |
 | Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | |
 | Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | |
 | Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | |
 | Sonate en ré mineur, K. 1: Allegro | Domenico Scarlatti, Thibault Cauvin | D Minor | 2 | 7A | 183 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7329003810882568
End: 0.7367286682128906