On August 1, 1995, the song "Little Pickle Book, S. 6: I. Toccata et Fuga Obnoxia" was released by P.D.Q.Bach, Dennis James. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. The popularity of Little Pickle Book, S. 6: I. Toccata et Fuga Obnoxia is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Little Pickle Book, S. 6: I. Toccata et Fuga Obnoxia by P.D.Q.Bach, Dennis James having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: Prelude (Excerpt) | Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 66 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): VIII. The Prince has an Idea | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): VI | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | A Major | 2 | 11B | 105 BPM | ||
The Preachers of Crimetheus (Ballet in One Selfless Act), S. 988: I. Prologue. Bottomless Sorrow; Topless Gaiety | P.D.Q.Bach, Walter Bruno, The Greater Hoople Area Off-Season Philharmonic | A Minor | 1 | 8A | 86 BPM | ||
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers | Vítězslav Novák, Janáček Philharmonic Ostrava, Marek Štilec | E♭ Major | 1 | 5B | 137 BPM |
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