Traditional, Avenir Mikhailov, Lege Artis Chamber Choir, Boris Abalyan's 'Come On Guys, Enough (arr. A. Mikhailov)' came out on April 5, 2011. With Come On Guys, Enough (arr. A. Mikhailov) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Russian Folk Songs in Choir Arrangements". In this album, this song's track order is #21. In terms of popularity, Come On Guys, Enough (arr. A. Mikhailov) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come On Guys, Enough (arr. A. Mikhailov) by Traditional, Avenir Mikhailov, Lege Artis Chamber Choir, Boris Abalyan having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Gaillarde & Branle de Champagne | Claude Gervaise, Enrike Solinís, Euskal Barrokensemble | G Minor | 2 | 6A | 85 BPM | ||
Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM | ||
Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | A Major | 2 | 11B | 86 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
The Cradle Song | Catherine Strutt, Chris Duncan, Julian Thompson | D Major | 0 | 10B | 63 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Alleluia laus et gloria, IOL 8 | Orlande de Lassus, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 65 BPM | ||
Lagrime di San Pietro: V. Giovane donna il suo bel volto in specchio | Orlande de Lassus, Gallicantus, Gabriel Crouch | G Minor | 1 | 6A | 66 BPM | ||
Exaltabo Te, Domine: Ps.29 | Traditional, Hartkeriana | D Major | 1 | 10B | 72 BPM | ||
Veni Creator Spiritus | Traditional, Monks And Choirboys Of Downside Abbey, David Lawson, Dom Dunstan O'Keeffe | B♭ Major | 2 | 6B | 83 BPM |
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