Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Jörg Halobek, Ute Petersilge, Johann Sebastian Bach, Nordic Chamber Choir, Martina Rotbauer, Robert Sagasser made "Johannes Passion Bwv 245: Jesu Leiden, Pein Und Tod" available on March 28, 2007. With Johannes Passion Bwv 245: Jesu Leiden, Pein Und Tod being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Johannes Passion Bwv 245: Jesu Leiden, Pein Und Tod is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Johannes Passion Bwv 245: Jesu Leiden, Pein Und Tod by Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Jörg Halobek, Ute Petersilge, Johann Sebastian Bach, Nordic Chamber Choir, Martina Rotbauer, Robert Sagasser is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, (G. 9): III. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 3 | 10B | 102 BPM | ||
Miserere in C minor: Misere III | Thomas Hengelbrock | B Minor | 2 | 10A | 65 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B♭ Major | 5 | 6B | 79 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: II. Ad te clamamus (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | ||
Markuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein! | Nikolaus Matthes, Ensemble Gli Aspetti | D♭ Minor | 0 | 12A | 90 BPM | ||
Requiem: VI. Sanctus | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | B♭ Major | 0 | 6B | 87 BPM | ||
Missa Dolorosa: I. Kyrie | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dixit Dominus, RV 595: Gloria Patri: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F Minor | 1 | 4A | 134 BPM |
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