"Sonate en fa majeur: IV. Moderato - Vivace" by William Hurlstone, Michel Bettez, Pierre-Richard Aubin was released on June 1, 2000. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michel Bettez, Pierre-Richard Aubin's "Le Basson romantique" album is number 9 out of 13. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Sonate en fa majeur: IV. Moderato - Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonate en fa majeur: IV. Moderato - Vivace by William Hurlstone, Michel Bettez, Pierre-Richard Aubin to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Khovanshchina: Morgendammerung an der Moskwa | Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn | D Major | 3 | 10B | 116 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": I. Allegro espansivo | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Yoda's Theme - From “Star Wars: The Empire Strikes Back” / Live at Suntory Hall, Tokyo / 2023 | John Williams, Saito Kinen Orchestra | E Minor | 1 | 9A | 137 BPM | ||
Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM |
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