Mikhail Glinka, Nicola Ghiuselev, Elena Stoyanova, Hristina Angelakova, Roumen Doikov, Nicolai Stoilov, Angel Petkov, Dimiter stanchev, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov's 'Zhizn' za tsarya (A Life for the Tsar), Op. 4 (Sung in German): Act II: Krakowiak' came out on January 1, 1996. Zhizn' za tsarya (A Life for the Tsar), Op. 4 (Sung in German): Act II: Krakowiak is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Mikhail Glinka, Ivan Marinov's "Glinka, M.I.: Life for the Tsar (A) [Opera]" album is number 8 out of 32. On top of that, United States appears to be the country where this track was created. Based on our statistics, Zhizn' za tsarya (A Life for the Tsar), Op. 4 (Sung in German): Act II: Krakowiak's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zhizn' za tsarya (A Life for the Tsar), Op. 4 (Sung in German): Act II: Krakowiak by Mikhail Glinka, Nicola Ghiuselev, Elena Stoyanova, Hristina Angelakova, Roumen Doikov, Nicolai Stoilov, Angel Petkov, Dimiter stanchev, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
The Lark | Mily Balakirev, Mikhail Glinka, Olga Scheps | B♭ Minor | 0 | 3A | 72 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Mazurka In F Minor, Op. Posth. 68: No. 4 Andantino | Frédéric Chopin, Maurizio Pollini | F Minor | 0 | 4A | 72 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM |
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