Gherardello da Firenze, Modo Antiquo made "E cantare e sonare carolare: I' vo' amando sempre con paura" available on May 25, 2010. The duration of E cantare e sonare carolare: I' vo' amando sempre con paura is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. E cantare e sonare carolare: I' vo' amando sempre con paura's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 16 in Da Firenze: Madrigali, Cacce, Ballate by Gherardello da Firenze, Modo Antiquo. E cantare e sonare carolare: I' vo' amando sempre con paura is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of E cantare e sonare carolare: I' vo' amando sempre con paura by Gherardello da Firenze, Modo Antiquo is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Che chos'è quest'amor | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 75 BPM | ||
E cantare e sonare carolare: I' vo' amando sempre con paura | Gherardello da Firenze, Modo Antiquo | B Major | 1 | 1B | 80 BPM | ||
E cantare e sonare carolare: I' vo' bene a chi voi bene a me | Gherardello da Firenze, Modo Antiquo | C Major | 1 | 8B | 118 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
The Galliarde for the Victorie | William Byrd, Harmonia Recorder Ensemble | G Major | 0 | 9B | 76 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
George Brabazon | Ronn McFarlane | E Major | 1 | 12B | 120 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | F Major | 0 | 7B | 82 BPM | ||
Deux pièces en fa majeur: II. Ciacconna (II: 77-80) | Silvius Leopold Weiss, Bernhard Hofstötter, Dolores Costoyas | D♭ Minor | 1 | 12A | 90 BPM |
Section: 0.6493520736694336
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