Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini's 'Stabat Mater: No. 9, Pia Mater. Andantino (Canto Solo)' came out on 2000. The duration of Stabat Mater: No. 9, Pia Mater. Andantino (Canto Solo) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Stabat Mater: No. 9, Pia Mater. Andantino (Canto Solo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Pergolesi and Scarlatti: Stabat Mater". In this album, this song's track order is #21. Based on our statistics, Stabat Mater: No. 9, Pia Mater. Andantino (Canto Solo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: No. 9, Pia Mater. Andantino (Canto Solo) by Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 14 Les Sauvages | Jean-Philippe Rameau, Jean Rondeau | F Minor | 6 | 4A | 101 BPM | ||
Sonata in D Major, No. 1: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | D♭ Major | 2 | 3B | 109 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM |
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