"Six Elizabethan Songs: No. 6, Hymn" by Dominick Argento, Barbara Ann Martin, Edward Brewer, Linda Quan, Eric Wilson, Melvin Kaplan, Susan Palma-Nidel, Arthur Weisberg, London Symphony Orchestra was released on January 15, 2011. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 10 in Dominick Argento, Frank Ahrold, Richard Hervig by Various Artists, Arthur Weisberg, Harold Farberman, William Hibbard, London Symphony Orchestra. Six Elizabethan Songs: No. 6, Hymn is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Elizabethan Songs: No. 6, Hymn by Dominick Argento, Barbara Ann Martin, Edward Brewer, Linda Quan, Eric Wilson, Melvin Kaplan, Susan Palma-Nidel, Arthur Weisberg, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 6, The Marksmen | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | A♭ Major | 0 | 4B | 61 BPM | ||
A Child of our Time, Part I: Chorus of the Oppressed. When shall the usurer's city cease? (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
7 Sappho Songs: The Apple Orchard | Ivor Gurney, Susan Bickley, Iain Burnside | E♭ Major | 0 | 5B | 68 BPM | ||
In Sweet Consent Unite | Harmonious Chorale Ghana | A♭ Major | 2 | 4B | 127 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | ||
Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself | John Adams, Los Angeles Philharmonic, Julia Bullock | A Major | 0 | 11B | 79 BPM | ||
From the Diary of Virginia Woolf: No. 1. The Diary (April, 1919) | Dominick Argento, Linn Maxwell, William Huckaby | D Major | 0 | 10B | 69 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM |
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