"Cello Sonata, FP 143: Finale: Largo, tres librement - presto subito" by Francis Poulenc, Françoise Groben, Alexandre Tharaud was released on April 13, 2000. Cello Sonata, FP 143: Finale: Largo, tres librement - presto subito is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Poulenc: Violin Sonata / Clarinet Sonata / Cello Sonata". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. Cello Sonata, FP 143: Finale: Largo, tres librement - presto subito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Sonata, FP 143: Finale: Largo, tres librement - presto subito by Francis Poulenc, Françoise Groben, Alexandre Tharaud having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Lose Blätter, Op. 13: No. 12, Choral | Max Reger, Markus Becker | D Major | 0 | 10B | 66 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM |
Section: 0.930858850479126
End: 0.9347095489501953