Johann Sebastian Bach, Dresdner Kreuzchor, Martin Flämig, Dresdner Philharmonie made "Weihnachtsoratorium, BWV 248 - Teil 6: VI. Choral. "Ich steh an deiner Krippen hier" - Remastered" available on November 15, 2019. With Weihnachtsoratorium, BWV 248 - Teil 6: VI. Choral. "Ich steh an deiner Krippen hier" - Remastered being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 60 out of 65 in Bach: Weihnachtsoratorium, BWV 248 by Johann Sebastian Bach, Martin Flämig, Dresdner Kreuzchor, Dresdner Philharmonie, Peter Schreier. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Weihnachtsoratorium, BWV 248 - Teil 6: VI. Choral. "Ich steh an deiner Krippen hier" - Remastered's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Weihnachtsoratorium, BWV 248 - Teil 6: VI. Choral. "Ich steh an deiner Krippen hier" - Remastered by Johann Sebastian Bach, Dresdner Kreuzchor, Martin Flämig, Dresdner Philharmonie is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | C Minor | 1 | 5A | 83 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM |
Section: 0.7531015872955322
End: 0.7589836120605469