Timothy Broege, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz's 'Theme and Variations' came out on August 7, 2012. The duration of Theme and Variations is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Theme and Variations's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 25 in Distinguished Music for the Developing Band, Vol. 4 by Rutgers Symphonic Band, William Berz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Theme and Variations's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Theme and Variations by Timothy Broege, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Incidental Suite: I. Tarantella | Claude T. Smith, Tennessee Tech Wind Ensemble, Dan Hearn | D Minor | 1 | 7A | 203 BPM | ||
Children's March, "Over the Hills and Far Away" | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 1 | 6B | 120 BPM | ||
Prohibition (Piano Sonata No. 2, Op. 35, Where Everybody Knows Your Name, Beer Barrel Polka) | University of Michigan Marching Band | A♭ Major | 5 | 4B | 160 BPM | ||
Beyond the Seven Hills | Michael Sweeney, Midwest Wind Ensemble | G Minor | 3 | 6A | 144 BPM | ||
Until the Scars (Live) | John Mackey, L.V. Berkner High School Symphonic Band I, Jason Schayot | B♭ Major | 1 | 6B | 72 BPM | ||
American Salute (America Medley) | US Air Force Heritage of America Band | G Minor | 3 | 6A | 142 BPM | ||
El Camino Real | Alfred Reed, National Symphonic Winds, Lowell Graham | B Major | 3 | 1B | 110 BPM | ||
A Prehistoric Suite: III. Pterodactyls | Teresa Jennings, Paul Jennings, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz | B♭ Major | 1 | 6B | 104 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
The Ringmaster's March | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 5 | 4B | 148 BPM |
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