"Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Praeludium" by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1996. With Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Praeludium being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Praeludium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Praeludium by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 125 BPM | ||
Parsifal, WWV 111 / Act III: Höchsten Heiles Wunder! ... Erlösung dem Erlöser! | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Major | 0 | 10B | 136 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 130 BPM | ||
String Quartet in E Minor, Op. 44, No. 2, MWV R26: II. Scherzo. Allegro di molto | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 1 | 4B | 96 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben | Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
String Octet in B-Flat Major: II. Adagio | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | A Minor | 3 | 8A | 136 BPM |
Section: 0.7455959320068359
End: 0.7496416568756104