"Symphony No. 7: Bar 564" by Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg was released on April 6, 2018. The duration of Symphony No. 7: Bar 564 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Symphony No. 7: Bar 564's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pettersson: Symphonies Nos. 5 & 7". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Symphony No. 7: Bar 564's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7: Bar 564 by Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Op. 61: No. 5, Intermezzo. Allegro appassionato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Symphony No. 1, Op. 13: I. Assez vif et rythmé | George Enescu, Orchestre National De France, Cristian Măcelaru | E♭ Major | 1 | 5B | 140 BPM | ||
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM | ||
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 9: IVa. Adagio. Sehr langsam und noch zurückhaltend - Live | Gustav Mahler, Verbier Festival Orchestra, Daniel Harding | D♭ Major | 0 | 3B | 79 BPM |
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