Johann Sebastian Bach, Itzhak Perlman made "Bach, J.S.: Solo Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga" available on November 14, 1988. Since Bach, J.S.: Solo Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 32 in Bach - Solo Violin Sonatas by Johann Sebastian Bach, Itzhak Perlman. Bach, J.S.: Solo Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, J.S.: Solo Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga by Johann Sebastian Bach, Itzhak Perlman is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Tchaikovsky: Andante cantabile (After String Quartet No. 1, Op. 11) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Samuel Sanders | C Minor | 3 | 5A | 130 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: I. Moderato | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | A Minor | 2 | 8A | 113 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): III. Andante | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | B Minor | 0 | 10A | 180 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM | ||
Violin Concerto for Violin and Orchestra in D Op. 35: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | B Minor | 2 | 10A | 169 BPM | ||
Vivaldi: Violin Concerto in C Minor, RV 199: II. Andante | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Minor | 1 | 5A | 81 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | F Major | 2 | 7B | 96 BPM |
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