Joseph Haydn, The Angeles String Quartet made "String Quartet in E Flat Major, Hob.III:2, (Op. 1 No. 2): 5. Presto" available on September 21, 2022. The duration of String Quartet in E Flat Major, Hob.III:2, (Op. 1 No. 2): 5. Presto is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. String Quartet in E Flat Major, Hob.III:2, (Op. 1 No. 2): 5. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 42 out of 449 in A Season of Music: Haydn by Joseph Haydn. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, String Quartet in E Flat Major, Hob.III:2, (Op. 1 No. 2): 5. Presto's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of String Quartet in E Flat Major, Hob.III:2, (Op. 1 No. 2): 5. Presto by Joseph Haydn, The Angeles String Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | G Major | 3 | 9B | 68 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Op. 51, Hob.III:50-56 (version for string quartet): L'Introduzione: Maestoso ed adagio | Joseph Haydn, Kodály Quartet | E Major | 1 | 12B | 131 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 2 | 9B | 121 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | G Major | 1 | 9B | 169 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Frank Peter Zimmermann, Wolfgang Sawallisch, Berliner Philharmoniker | D Major | 1 | 10B | 147 BPM |
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