"German Mass, D.872: Heilig, heilig, heilig" by Franz Schubert, Berliner Händel-Chor, Deutsches Symphonie-Orchester Berlin, Günther Arndt was released on January 1, 1989. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 29 in Die schönsten Chöre by Berliner Händel-Chor, Günther Arndt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. German Mass, D.872: Heilig, heilig, heilig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of German Mass, D.872: Heilig, heilig, heilig by Franz Schubert, Berliner Händel-Chor, Deutsches Symphonie-Orchester Berlin, Günther Arndt is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Deutsche Messe, D. 872: V. Zum Sanctus. Sehr langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Bach-Gounod: Meditation over a theme of Bach | Conrad Zwicky | C Major | 0 | 8B | 75 BPM | ||
Ubi caritas | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | F♯ Minor | 0 | 11A | 78 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Wien, Du stadt meiner Träume (Wien, Wien, nur du allein) | Rudolf Sieczynski, Jonas Kaufmann, Ádám Fischer | G Major | 2 | 9B | 133 BPM | ||
4 Psalms, Op. 74: No. 2, Guds Son har gjort mig fri (God's Son hath Set me Free) | Edvard Grieg, Audun Iversen, Bård Bratlie, The Norwegian Soloists' Choir, Grete Pedersen-Helgerod | A Minor | 0 | 8A | 128 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM |
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