Marco da Gagliano, Ensemble Pygmalion, Sophie Junker, Maïlys De Villoutreys, Luciana Mancini, Raphael Pichon's 'La Favolla d'Apollo: 21. Bella ninfa fuggitiva a 5 "La Dafne"' came out on May 19, 2017. The duration of La Favolla d'Apollo: 21. Bella ninfa fuggitiva a 5 "La Dafne" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. La Favolla d'Apollo: 21. Bella ninfa fuggitiva a 5 "La Dafne"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #21. In terms of popularity, La Favolla d'Apollo: 21. Bella ninfa fuggitiva a 5 "La Dafne" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Favolla d'Apollo: 21. Bella ninfa fuggitiva a 5 "La Dafne" by Marco da Gagliano, Ensemble Pygmalion, Sophie Junker, Maïlys De Villoutreys, Luciana Mancini, Raphael Pichon having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Missa Paschalis, ZWV 7: Credo. Et resurrexit | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Minor | 1 | 1A | 103 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Lamentations of Jeremiah I: I. Incipit lamentatio Jeremiae prophetae | Thomas Tallis, Owain Park, The Gesualdo Six | B♭ Minor | 1 | 3A | 81 BPM | ||
Sull’affricane arene | Marco da Gagliano, Theatro dei Cervelli, Andrés Locatelli | G Major | 0 | 9B | 94 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Te deum, LWV 55: II. Pleni sunt coeli et terra | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM |
Section: 0.6014566421508789
End: 0.6052765846252441