Riccardo Drigo, Elena Baliakhova made "Waltz. Pirouettes (12x8), Valse Form Ballet ''le Corsaire''" available on August 21, 2015. The duration of Waltz. Pirouettes (12x8), Valse Form Ballet ''le Corsaire'' is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Waltz. Pirouettes (12x8), Valse Form Ballet ''le Corsaire'''s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 32 in Ballet Class Music Elementary/Intermediate by Elena Baliakhova. Based on our statistics, Waltz. Pirouettes (12x8), Valse Form Ballet ''le Corsaire'''s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Waltz. Pirouettes (12x8), Valse Form Ballet ''le Corsaire'' by Riccardo Drigo, Elena Baliakhova is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka Coppelia | Debbi Parks | D Major | 1 | 10B | 149 BPM | ||
Paquita/Jewel Variation | Kim Ji Hyun | E♭ Major | 1 | 5B | 120 BPM | ||
Coda - from the ballet "The Enchanted Forest" | Riccardo Drigo, Alessio De Franzoni | C Major | 1 | 8B | 139 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 123 BPM | ||
Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 2 | 4B | 128 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
Don Quichotte, Acte I : Variation : Basilio. Variation : Kitri. | Orchestre de l'Opéra de Sofia | B Minor | 2 | 10A | 130 BPM | ||
『エスメラルダ』よりエスメラルダのヴァリエーション | ガリーナ・ベズグラヤ | E♭ Major | 1 | 5B | 120 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM |
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