Giuseppe Verdi, Sumi Jo, Plácido Domingo, Leo Nucci, Goran Simic, Kurt Rydl, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus made "Un ballo in maschera / Act 3: "Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze"" available on January 1, 1989. The duration of Un ballo in maschera / Act 3: "Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze" is about 3 minutes long, at 3:17. Based on our data, "Un ballo in maschera / Act 3: "Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Un Ballo in Maschera by Giuseppe Verdi, Wiener Philharmoniker, Herbert von Karajan. The song's track number on the album is #10 out of 26 tracks. Un ballo in maschera / Act 3: "Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Un ballo in maschera / Act 3: "Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze" by Giuseppe Verdi, Sumi Jo, Plácido Domingo, Leo Nucci, Goran Simic, Kurt Rydl, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Un ballo in maschera / Act 3: "Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze" being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) | Giacomo Puccini, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
Requiem | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | A Major | 1 | 11B | 83 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Nabucco / Act 1: Io t'amava! | Giuseppe Verdi, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 87 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Don Carlo / Act 2: "Dio, che nell'alma infodere" | Giuseppe Verdi, Carlo Bergonzi, Dietrich Fischer-Dieskau, Tugomir Franc, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | G Major | 2 | 9B | 129 BPM |
Section: 0.6045749187469482
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