"3 Motets pour soprano solo, cheour à 4 voix mixtes et orgue: Crux fidelis" by Winchester Cathedral Choir, David Hill, Stephen Farr, Kenan Burrows was released on 1998. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 13 in Fauré: Requiem etc. by David Hill, Winchester Cathedral Choir. In terms of popularity, 3 Motets pour soprano solo, cheour à 4 voix mixtes et orgue: Crux fidelis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Motets pour soprano solo, cheour à 4 voix mixtes et orgue: Crux fidelis by Winchester Cathedral Choir, David Hill, Stephen Farr, Kenan Burrows is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 60 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Mariss Jansons, Oslo Philharmonic Orchestra | F Major | 1 | 7B | 88 BPM | ||
Pearl Fishers duet | Georges Bizet, John Lubbock, Rhydian, St John Smith's Square Orchestra, Stephen Hussey | E♭ Major | 5 | 5B | 80 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Canon and Gigue in D major - arr. Max Seiffert: 1. Canon | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 92 BPM | ||
Love Bade Me Welcome | John Tavener, Winchester Cathedral Choir, Andrew Lumsden | A♭ Major | 1 | 4B | 76 BPM | ||
Give unto the Lord, Op. 74 | Edward Elgar, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 1 | 6B | 88 BPM | ||
My little Welsh home | William Sidney Gwynn Williams, Bryn Terfel, Orchestra of the Welsh National Opera, Gareth Jones | G Minor | 1 | 6A | 168 BPM | ||
Alleluia! I Heard a Voice | Thomas Weelkes, Timothy Byram-Wigfield, Winchester Cathedral Choir, David Hill | A Major | 0 | 11B | 132 BPM | ||
Solomon, HWV 67: The Arrival of the Queen of Sheba | Australian Brandenburg Orchestra, Paul Dyer | A Major | 3 | 11B | 119 BPM |
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